How To Be #1 in The Romance Book World

Here’s some very good advice from author Darla Denton. And if you write romance, there are 20 links included for you to check out.

Darla G. Denton | Author Platform Coach

The #1 way to stay popular in the world of Romance Book World is to be talked about…often.

Most avid readers will have a few reviewers that they follow and trust for honest opinions on a book and great book suggestions.

Therefore, it’s safe to assume that the #1 way to stay on top of your niche is to:

• find the reviewers that cover your genre
• learn who is popular
• follow them
• Interact with them and their followers on a regular basis

As a bonus, you yourself, will find some great books to read by paying attention to their reviews, news, and discussions. Not to mention all the amazing deals and goodies you can win through their many contests and giveaways.

So, what are you waiting for?

Take the leap, find out who’s who in book reviews and start following them ASAP.

Below is a list of Romance Book Reviewers that I like…

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The sound of balanced writing

by Winter Bayne  posted April 24, 2014

Having been inundated with editing jobs, I’ve come to realize that my corrections aren’t entirely based on grammar. Apparently, there are unwritten laws that also govern our writing. These laws are perhaps the difference between a good writer and a genius wordsmith. What follows is advice that could put me out of the job.

The music of punctuation
We’ve all probably heard our high school English teacher say, “A comma is a pause, a chance to breathe.” This is, of course, utter bs but the teacher was on to something. A comma merely gives writing syntax, but it does constitute a small pause.

Semicolon: 1/2 beat
“Hitchhiking can be dangerous; it should never be attempted by a minor.”
Least emphatic

Comma: 1 beat
“One fine day, with a woof and a purr.”
Emphatic

Colon: 1 and a 1/2 beats
“Remember to bring: lube, a banana and your tennis shoes.”
More emphatic

Em dash: 2 beats  (per dash)
“I think — therefore, I am — me.”
Extremely emphatic

Period: 2 and a 1/2 beats
“We were once men. Now we wear skinny jeans.”
Most emphatic

You might assume that a semicolon is more emphatic than it really is. This is because we have a natural tendency to keep reading when we see a semicolon; we already know that what comes next is directly relevant. Likewise: the colon takes us longer to read than the comma (not by much) because it’s extremely abrupt and we have a tendency to reread what comes after the colon so that we’re sure we understand. The em dash is the most emphatic punctuation because — it actually takes time — for our eyes to reach the text! The period is the real hero of punctuation. We usually take a literal pause when reading these aloud.

A paragraph represents 5 beats and the end of a page represents 10 beats. This would mean, in practical terms, that the transition between text is a writer’s primary way of making a reader’s body feel physical tension. This is perfect for taking your story to the next level. Make your reader feel physiological anxiety as they frantically skip between empty space or indentations to find their spot. There should be significant anticipation in the reader as they turn the page, and by definition, this is the mechanics of writing ‘a page turner’.

Lastly, it’s also how you sell your next book or crappy blog article for that matter. 😉

 

 

8 Tips for Self-Editing Your Novel

by Kemari Howell Posted May 14, 2014

 

As a book editor, I’ve edited my fair share of novels, with clients that have ranged from self-published authors to international bestsellers. I’ve even worked as a contract editor for Amazon’s Publishing Imprints. And while I recommend hiring an editor for anyone seriously considering publishing as a source of income, I know that it’s not always financially feasible to hire an editor—at least until that first book sells like hotcakes.

So, whether you hire an editor or not, here are a few self-editing tips to help you polish up that novel for publication:

1. Read your work aloud – This is the most important tip! You’d be surprised how much this helps…and how many people don’t do it. It’s one of the easiest ways to spot errors—spelling, syntax, and other grammatical issues. Read it aloud to yourself or a critique partner. Read it more than once. Use inflection when you read. Ensure it all makes sense, that the story moves forward, that your grammar and spelling are correct, and that the language doesn’t sound weak or repetitious.
2. Use spell check…but don’t rely on it – Spell check is great for finding spelling errors—most of the time. But what happens when you spell a word correctly—but use it incorrectly—and spell check doesn’t catch it? You end up with a sentence that reads: “Check your infection” instead of “Check your inflection.”
3. Eliminate unnecessary words – Unnecessary words, such as fillers, zombie nouns, adverbs, fish heads, and fish tails should be eliminated…stat. There are some common culprits that can usually be deleted without worry (as long as the sentence/meaning still makes sense without them). Words like: was, were, had, that, and, really, then, and then, just, about, so, but, like, against, all, little, totally, suddenly, just then…and many more are just fillers. Read the sentence aloud without the word. If it still makes sense without it, delete it.
4. Check your tenses – Whatever point-of-view you choose to write in, make sure that your tenses are consistent with that POV. If you write in First Person Present Tense, ensure that your usage reflects that consistently. You don’t want to write about Johnny Sexypants with: “He looked longingly at her lips as she bit them, so he grabs her arm, pulled her to him, and kisses her passionately.” That’s all kinds of wibbly wobbly timey wimey messed up.
5. Beware your dialogue tags – First of all, you don’t always need a dialogue tag. If you set up a scene well enough, your readers will be able to figure out who said what without you saying “he said” or “she asked” after every piece of dialogue. In addition, try to avoid using dialogue tags that aren’t necessary. If your character says, “How dare you, you harlot!” you don’t need to say she screamed. Nor should you use an adverbial dialogue tag—“How dare you, you harlot!” she screamed angrily. The exclamation point, word choice, and inflection already let the reader know that a) she screamed and b) she did it angrily. And “show, don’t tell” works well with dialogue. You can show how a character is speaking through their accompanying actions (did she cross her arms, roll her eyes, tap her foot?). Use dialogue tags wisely and sparingly.
6. Repetition – Check for repetition. Check for repetition. No, really, make sure you aren’t using the same words over and over again. A classic example of this would be “mercurial” and “inner goddess” a la Fifty Shades of Grey. Repeating words too many times makes for a poor read—and it stifles your story, limits your characters from growing, and tells your readers you lack a varied vocabulary.
7. The words were written in passive voice – Please, for the love of all that is scrumdiddilyumptious, do not write in the passive voice. When you write in the passive voice, things happen to things, instead of things doing things. “The chair got kicked by him” gives that darn inanimate chair capabilities it actually doesn’t possess. “He kicked the chair” flows better, is more immediate, and gives the action to the person or object causing it.
8. Sentence Structure – Make sure your sentences are varied, without weird syntax or odd rhythms. Try to change up the start of every sentence. “He jumped. He fell. He was in pain. He died. He went to heaven.”—this is repetition, and it makes your language weak. Watch out for present progressive verb tenses, -ly adverbs, possessive pronouns, prepositional phrases, and those silly dangling modifiers.

These tips are just a start to help you polish and tighten up that writing. Consider hiring an editor if you plan to publish for any reason other than the gratification of having your name in print. A book worth writing is worth writing well, and sometimes that means outside help.

Hello Authors!

Need a professional, low-cost, experienced book editor? You’ve come to the right place!

I’ve had a number of interesting jobs throughout my life. I have always loved reading. A few years ago, through the Internet, I met several wonderful authors. I helped a few of them out, and that started me in my new editing career. I’ve edited short stories, novellas, full-length manuscripts, book synopses, and have done final line edits on books. I work independently as well as for publishing companies. I’m an active member of an organization called the Paranormal Romance Guild where at least half of the members are authors (many are Indie/self-published). I am also the PRG’s Information Officer.

I’ve gotten inside information about all of the work (and joy) that is involved in being an author. I’ve found out that most new authors cannot afford the high cost of editing services, so I decided to put my excellent proofreading, copy-editing and English skills to work and help bridge that gap for them with much more reasonably priced editing services and payment methods. I’ve been a mega-reader since middle school and a supporter of authors.

I do not read/edit all genres of books. Right now, these are the types of books that I would take under consideration for editing:

Young children’s books; Middle grade; Teen books;

Superhero fantasy; Sci-fi; Action/Adventure; some Non-fiction; Business; Educational; Websites; Articles.

Romances: paranormal, contemporary, romantic suspense, erotic romance {romantica}, urban fantasy, young adult, new adult.

Feel free to contact me about YOUR book, even if it’s not in the genres listed above – I would be happy to consider it.

I can also edit a blurb/synopsis, query letter, or blog for you.

Lea Ellen {night owl in IL}

NOTE – I am not a beta reader.

Remember, every error is annoying for your reader and disrupts their reading rhythm. By eliminating any sticky grammar spots, you will have a better chance of getting your message across to your reader and not ending up in the junk pile.

Why be concerned with punctuation?

An English professor wrote this phrase on a blackboard:

“A woman without her man is nothing” and asked his students to punctuate it correctly.

All of the males in the class wrote: “A woman, without her man, is nothing.”

All of the females in the class wrote: “A woman: without her, man is nothing.”

Borrowed from multiple sources.

Ah, the power of punctuation.